When you use the fade tool, you can prevent weird pops and clicks, or create special effects.Are you looking to improve your music and start learning a professional recording software? If you are unfamiliar with all the options, especially if you’re a beginner in the music production world, it can be daunting to pour your hard-earned money into a DAW software. The Logic Fade Tool is a protector and innovator of audio. I tend to set all my fades and cross-fades to “5,” unless I have a region that needs a more specific fade. You can adjust your fade lengths, curves, and even the speed effect or style. If you don’t have it open, use key command I to find it:Īnd open the top bar that says “ Region” by clicking on the triangle next to it:Īnd in the More tab, you’ll find your fade controls:įrom here you can do everything we’ve done. The Region Inspector is home to all things specific. Oftentimes I like to set my fades to a specific value to keep things uniform. Sometimes we all want to have some detailed control over our fades. “But What If I Need Finer Control Over My Fades?” Your fade will change from white to pink, and the fade will now introduce the special effect. To access the fade effect, hold Control and click, or use the right mouse button to click on your Fade: Sometimes a speed effect can really make a song pop. I love using fades for that special effect touch. Speeding Up & Slowing Downīut wait! Not only can you adjust the length and curve of your fade, but you can also have your fades speed up or slow down your audio. Personally, I almost never dig into these menus. Or by using key command T to open the Mouse Tools:Ĭlick Zones are by far the best way to access the Fade Tool though. Simply go to the Mouse Tools in the Arrange window’s menu bar: You could also choose the Fade Tool as one of your mouse tools.
Just click and drag to the left or right to change the curve:
This tool adjusts the curve of your fade. But by hovering your mouse over the middle of the fade you created, you should see a new version of the Fade Tool. You already know you can drag a fade out to a length that suits your style.
Thanks to Click Zones, adjusting the length and curve of a Fade is no biggie. And the shape of the fade can totally depend on how you want that instrument to come in. Oftentimes producers use fades to gradually introduce a new instrument. They’re also used for creative reasons as well. You can even select several regions and adding a fade to each at the same time!Īin’t it a beautiful thing? Crossing the Gapįades aren’t just for protecting tracks though. Your mouse cursor will turn into a line with two arrows sticking out of it. And drag in the first blue Apple Loop you see.Īt this point, all you need to do is hover your mouse over the top left or right corner of the region. If you’d like, open the Apple Loops library by hitting key command O. And enable Fade Tool Click Zones in the Pointer Tool in Tracks Provides: section.Click on Editing within the General tab.Click on the General tab in the Preferences.Go to Logic Pro X > Preferences > Advanced Tools.Have you gotten started with Click Zones yet? Trust me when I say you’ll love Logic Pro X about 100x more when you do start. But like the Lord of the Rings, there’s one way to rule them all. There are several ways to use the Logic Fade Tool. Thankfully, fading in Logic is almost too easy. And nothing screams amateur more than missing fades! Enter: The Logic Fade Tool That’s when we fade from some audio to no audio.īut too often home engineers and producers fail to throw a fade on their audio regions. The fade at the end of a region is our Fade Out. Pops and clicks are just as likely to occur as the audio is trailing off and the region abruptly stops. īut it’s also important to include a fade at the end of the region as well. A fade at the beginning of an audio region is the Fade In. Fades for DaysĪ fade introduces a gradual ramp from no audio to some audio.įades protect our audio with their natural glide. What causes the pop is when your track goes from complete silence to abruptly playing audio, without any sort of gradual lead up. Or fret noise from the bass player.Ī noise that’s so quiet it’s hard to actually see visually. Like the initial breath before the singer started singing. A bad edit is when you trimmed just a little too much off of your audio region.īut it could also be something far sneakier. Sometimes when you’re working, you might notice a weird pop or click erupt in your song.īut what is that pop or click? Where did it come from? You sure don’t remember playing any weird noises! Popping and Twitching There are many tools in Logic Pro X, but few are as important as the Fade Tool.īecause whenever you have an audio region, 99.99% of the time you’ll want to use fades.įades exist to save our music and projects from nasty surprises.